Bare List on Exclusively Querying

Exclusivity. It’s major. Whether its a business or personal relationship, exclusivity is a milestone that involves a lot of work and trust to maintain on both sides. In writing, however, exclusivity can be a misunderstood privilege, especially in the beginning stages of forming a relationship with an agent or publishing house.

I know many aspiring authors who query on an exclusive basis. Actually, a conversation with a peer is what led to the post today. My friend is a talented young writer whom I believe will see her work in print one day, but that day may be very far away because she practices exclusive querying. Exclusively querying means reaching out to agents one at a time, and not reaching out to the next until 1) You receive a response from the first agent or 2) you pass the time deadline specified by the agent to be considered a pass. It’s an old school practice still proliferated by an insanely small number of agents, and it can cause a lot of trouble for aspiring writers because:

  1. It may take you EONS to be published: Most agents request a period of at least four weeks and as many as four months to respond to your query. While I’ve seen responses in as little as twelve hours, it’s generally at least a week or two and I have had responses up to four months after the initial query. Let’s average it out to a response/pass time of 1 month for easy math. Most industry experts recommend you query at least 80 agents and I’ve seen recommendations for over 100. With those numbers, you’re looking at almost 7 years before you even get involved with an agent! You guys, you deserve better than that. Writing/publishing is not a sprint, but no one has time to spend 7 years querying.
  2. It can take away your power: Exclusive querying puts all of the power in the hands of potential agents. Querying your novel, especially your first, can feel a lot like applying for your first job. You send out your resume (query) praying that a company, almost any company (agent) finds you (your manuscript) employable (publishable). The truth is, you are not applying for a job. You are selling your work. Think of it like selling your home. When you put it on the market, you’re not inviting in buyers one at a time. You want as many qualified leads in the place as possible. In an ideal world, multiple buyers will be interested in your home so you can get maximum value out of your home. Having any agent interested in your work is a compliment and a blessing, but having multiple allows you to really focus in on the aspects of the client/agent relationship that are most beneficial to you and your work.
  3. You are receiving agent feedback in non-actionable numbers: When you query in batches (maybe 5-10 at a time) you get small doses of feedback to make changes where necessary. For example, let’s say you query 7 agents. By the end of three months, if no one requested further materials, you probably need to work on your query. If you only query one agent and they don’t request further materials after three months, it could mean you have a problem with your query or it could mean you just weren’t right for that particular agent. More data means more information to base revision decisions.
  4. It’s totally unnecessary:  It’s 2018. Very few agents request or expect exclusivity in querying. In fact, the majority advocate against it. While there are a few that still request the exclusive, they are the tiny minority. Like, minuscule. So, if the agent is not even expecting it, why would you give it?

Too often, I see authors participating in this outdated system because they think it is expected of them. Here’s the thing though, exclusivity is a big deal. Of course there are still some agents who want it. Knowing they have exclusive eyes on your work means they don’t have to worry about: taking their time to read and evaluate, bidding against another agent, getting rejected by you. It does not mean the agent is bad for wanting the exclusive. If they have the client base and income to justify being that selective in manuscripts, why not? While if an agent requests an exclusive query, you should honor that, you don’t have to submit. That is in your control.

As writers, especially newbies, we often feel at the mercy of agents, but as the creators of our work, we also have power in it. You are the sole decision maker in whether or not you want to offer exclusivity. Believe in your work enough that you can confidently represent it until you find an agent that believes in your work as much as you do.

Am I saying you cannot exclusively query? Absolutely not. My friend is still exclusively querying. While she understands and appreciates the business-side of the exclusive, it’s something she is more comfortable with, some agents she is interested in do ask for it, and that’s her right. It’s her manuscript, it’s her business, even if it makes me want to beat my head into a brick wall. I would ask the same of you. In evaluating whether or not you will participate in an exclusive (at any stage of the process, whether it’s query, ROR, sales, etc) make sure you understand your power in the relationship. Make sure you are making the decision because it is best for you and not because you just want someone to take your work.

If you have queried exclusively, I am very interested to hear your experience and reasons in making the decision. Non-exclusive is my experience, but I know there are a lot of paths to publish and I’m always open to hearing about those.

*SIDE NOTE* I could not bring myself to press publish on this post without clarifying that while I do not advocate for exclusive querying, I also do not recommend mass querying either. Querying more agents at a time does not necessarily equate to getting published faster. In the above example for instance, if you query 30 agents and all straight pass on you, chances are there was a problem with your query that could have been fixed after 5-10 queries that now you don’t have a chance to fix before sending it to another 20 agents. Most agents evaluate in short spurts. They’ll start with a query, then five pages, then fifty, then the manuscript. (There are different versions of this. Some may want a query and five pages, some a query and fifty. Others may go straight from your query and five to the whole manuscript). This kind of rolling submission gives you a chance for feedback and revision at every step and that’s an asset for you. If you’re not getting hits off your query, change the query. If you start getting hits on that but rejected on your sample pages, take a hard look at the sample pages and so on. 

Alright, that’s it. I’m done now. Happy querying!

 

Bare List on Schedules

As we all dust the residue of 2017 off our shoulders and slam into 2018, it’s important to build a schedule for success. I can speak personally to the importance of daily schedules because I’ve been flying by the seat of my pants for weeks, and y’all it is not a good idea. Every December I swear I will abide by my schedule, every December I fail. Mistakes are made. LEARN FROM ME. Do not do this. Set a schedule and keep it.

Scheduling is incredibly important for everyone, but especially in writing. Jobs dependent on creativity and self-accountability require routine scheduling for success. It seems counter-intuitive. I know I have said the words “you can’t schedule creativity”. Now, those words make me cringe because:

  1. You will not get anything done if you allow your creativity to schedule your productivity – If you wait to write until you feel so inspired to put words on the paper that you can’t stand it anymore, you’re not going to be writing half as often as you need to, and it’s going to take years, decades to finish a project. You have to sit down and write it out sometimes. You have to suffer to pull scenes together that aren’t totally working, muster through dialogue you haven’t totally figured out, calculate timelines, etc. It’s not all magical words brought forth by pixie dust. It’s a spark of inspiration ignited into a fire by determination.
  2. You totally can schedule creativity – While you cannot schedule the spark, you can dedicate time to produce. You can designate time in an environment most fitting for you to get down to business and force yourself to create. Make sure you’re making note of all your sparks and bring those with you to the table when it’s time to work. The more you do this, the more you’ll train your brain to open up during these times.
  3. There is a lot more to writing than creating – I talk about this a lot so I know you’re getting sick of hearing it, but there’s more to writing than writing. There is a lot of administrative work including emails, queries, edits, marketing, etc. To be successful, every aspect needs attention.

Like a lot of people, I have a lot going on. I have a family, small business, and writing career. Writing is a grind in its own right, but when you add in the real world in which we are all functioning, it’s almost impossible to survive without an established schedule.

To make your schedule, I suggest starting by dividing work into categories. For myself, I use:

  1. Administrative: Updating writing and marketing calendars, scheduling, emailing, strategy, negotiations
  2. Creative: Brainstorming, new project creation, project overhauls, first round edits
  3. Maintenance: Minor/late edits, tactics implementation, social media

Within those categories, I divide every item into one of two categories: Big/Hard or Small/Easy. Not glamorous titles, I know, but they get the job done. Small/easy projects are what I think of as “check-off” items, i.e. responding to emails, setting up meetings, making a schedule, sending, sending out query ready material, article creation, etc. Big/Hard projects include manuscript production, overhauls, strategizing campaigns, etc. Anything that almost certainly cannot be accomplished in a single day and is sure to be mentally taxing.

Once you have projects organized, assign items to your daily designated times. For myself, I designate Mondays for Administrative and Easy items. I get out my writing calendar and mark priorities for the week as well as adjust for the month, review my monthly focus to make sure everything I’m scheduling is aligned with goal, and knock out easy-off items across the board that I can knock off the list. I choose Monday to do this because I try to look at Monday as the start of my work week (though work often finds its way into my weekend) and I feel mentally more prepared being organized and I get a nice rush of accomplishment marking off small items and I can ride that adrenaline into Tuesday, which is marked for big tasks. My logic is that I get through a lot on Monday so I can afford to focus on mentally draining projects on Tuesday. I break up the big projects with little projects and workouts at designated hours because you need that for big days. Wednesday, my focus is Maintenance. Big or little projects doesn’t matter. I’ve set the goals for the day during my designated time on Monday and I just balance the big and little projects. Thursdays, I’m about Creation. There are really no small projects in creation, so I’ll mix the day up by throwing one or two of those in and Fridays are to double down on my monthly focus. Whatever I’ve decided is my hero for the month shines every Friday. That’s what works for me, when I work it. You can play with it and see what’s the right fit for you.

Now, interruptions to the schedule happen. Life and writing are about adapting and moving forward, but it’s easier to keep your balance with a steady foundation. Even if you lose your way occasionally *raises hand* it’s easier to get back in the swing of things and make forward progress if you have something to go back to. So, I know it’s annoying, and you don’t want to do it. I know the creative pixie in your head is flipping me off and telling me to eff a schedule cause she works at 3 a.m. damn it. I get it. I do, but tell her to get with the dang program because there’s work to be done and she really owes you since she’s living rent-free in your head anyway.

Tips, scheduling advice? I’d love to hear it!

 

 

 

Bare List on Writing Through the Struggle

I’ve started this blog 17 different times because I cannot find the words to accurately express the heartbreak today has wreaked on my psyche. While it’s not the most devastating of days I’ve ever survived, it’s been a struggle. Not in the “oh hell it’s Monday” way but in the “oh hell, how am I possibly going to handle my life” way. Between scheduling meetings, working, and hauling the kids to school, I’ve had to make time to have a long and emotional conversation about blending families and holidays. Literally, I found myself in tears three times before 9 a.m.

By the time I sat down at my computer to write, I felt defeated. I was robbed of my inspiration and my anxiety made it hard to even sit still. I was at a pinnacle moment of my Nano novel, a piece that’s been nagging at my peripheral for months, begging for attention and demanding to be heard. I am so excited about this work and this scene is crucial. I looked at the words from last night on the screen and felt like there was no way I could do the story justice today. I wasn’t good enough. Everything I could say today would be worthless anyway and I have so much going on. Did I even have a right to be writing? Thanksgiving is upon us, it’s a short work week and clients want to check-in before they depart for the holidays. My family’s scheduling was a nightmare, I have checks to various charities waiting to be written. The kids have activities. The family calendar hanging to my right hasn’t been updated since SEPTEMBER. There’s laundry to do, decorations to put up, the list goes on. Why should I even be writing?  I’m failing at everything else, why not just fail at writing, too? I mean, I’m going to anyway. I don’t have what it takes to live up to this moment. Not now.

I thought about it. I thought about packing it up and letting today go. “You’ll have time later. You’ll feel better later,” I tried to lie to myself, but I knew neither was true. I’m not going to get any less busy, at least not anytime soon. So, I took a deep breath and I wrote. I struggled through the words, tears leaking from my eyes at the emotional torment of the early day as well as my story. I wrote until I had to stop for an emotional phone call and then I wrote again as soon as the business was handled. I wrote as the word count slowly ticked up-50, 100, 150. I wrote as I fought to piece together the scene the way I knew it deserved to be done. I wrote though I cried, I wrote though I doubted myself, and then…I wrote because I was in the scene.

Without realizing it, my writing switched from pain to purpose. The words came easily and as my stomach ached with hunger, I realized that I had written without pause, without thought of anything outside of myself or the story for almost two hours. Almost 2,500 words had escaped my fingers and I had only fought for maybe 500 of them. It’s not the most I’ve ever gotten through in a sitting. I’ve certainly seen more impressive counts from a host of fellow writers and Nanoers, but it was a count I didn’t believe I could reach when I sat down. It was an achievement my evil inner critic had berated me into thinking was unfathomable.

I share this with you, not because of the pride I feel, but because I know that we all have that doubt. Life throws a lot at us, more than we can ever hope to manage, and it’s so easy to start listening to our fears, depression, and anxiety. Writing can so often be the easiest thing to neglect when those negative thoughts invade our brains because we believe that there has to be this perfect mix of inspiration and desire to do our stories justice. I’m here to tell you, that is untrue. I wrote today, despite the fact I didn’t want to. Despite the fact I felt like I had nothing to offer, I gave myself over to my work because I know that the long term pride I will experience completing this outweighed the short term pit of yuck that I was experiencing. Bonus: I feel better. Maybe I am failing at everything else, but at least I won at writing, and that’s a start. It’s forward motion.

So, friends. Today, or any day, that you’re struggling, I hope you remember that you can write through it. Though it seems impossible, just get to the computer, grab a pen and paper, whatever. Just start writing. Just keep writing. I promise, it will get better.

P.S. I’m not actually failing at everything, my inner voice is just a real f*ckhead sometimes.

Have you been in the struggle? I will grab a drink a settle in to struggle with you.

Bare List on The First Draft

It’s that time of year again. A time that new and established authors alike gather to defy the clock and better judgement to bring their characters to life through writing at least 50,000 words in 30 days. We are thirteen days into NaNoWriMo and that means that your social media feeds are filled with word counts and declarations of early victory, but amid that chorus of cheer and exuberance are silent cries of self-doubt and even defeat. I hear those cries. I see them in the absence of updates from a once elated newbie. I see them in the lamentations of the disenchanted first-timers disappointed in their work. While I see it more this time of year, it is there throughout the course of the year. Every time someone sits down to write a first draft. The words start flowing as a dream comes to fruition but the fear, doubt, writers block, and sometimes just life step in and rob us of our vigor, our determination. You might think that this is an affliction specific to the first time writer, because seasoned writers, we know that this happens EVERY SINGLE TIME so surely we are prepared. Surely we can shake it off and continue pounding out the words, but this is not always the case, because doubt lies. It pretends that this time is different. That we may have survived before, but surely we can’t again. So, for those that are experiencing it for the first time or need a reminder, I’m here with tips for fighting what I have deemed the First Draft Fear Monster.

FDFM is a beast that attacks writers at they fight to complete a first draft. Its weapons include but are not limited to: making you want to scrap every word (maybe the entire concept) because it tells you this brilliant work is stupid, it tells you every word is wrong and illogical, makes you doubt that you can ever accomplish this dream, tries to get you to shelve your work, and generally steals your desire, maybe even ability, to write. It’s soul crushing enemy, but I promise you it is beatable. Here’s how:

  1. Redefine Your Expectation – A lot of writers, especially newbies, think that a great book is written on the first time out. That the purpose of the first draft is to put pen to page and create a work that simply needs a few typos fixed to be ready to go to print. That is categorically incorrect. I’m not saying it’s never happened, but it’s rare and setting yourself up to that standard is asking for failure. Instead, think of yourself as a sculptor except you can’t just go out and buy a slab of marble, you have to create it. That is the first draft. You are building a giant hunk of rock that you can contour and detail, hammer at and cut away. It is not the masterpiece. It is the canvas on which you will create it.
  2. Don’t Get Married to Your Notions– Every author has started one story to end up in another. Every author has cut a character they thought they would love or changed a setting they once thought was important. You are not required to write anything. Having an idea does not set it in stone. If your story starts to go a different direction, let it. If an unforeseen character gnaws at the edges of your mind, give them a spotlight. Evolving your story line does not mean you have failed your novel. It means you have given it room to create itself.
  3. Forget Perfection – That’s not a thing right now. It may never be a thing. Even J.K. Rowling has things she would have done differently if she got a chance to write Harry Potter again for the first time. You are going to edit and edit and edit this thing and just when you think you can’t anymore, you will edit it again. Then, even when it’s published and on display for the world to see and you think “my gosh I’ve done it and it’s perfect” you will reread it and still come up with things, however minor, that aren’t perfect because perfection is impossible. Everything about writing is subjective, not just to the individual but to the individual’s mood, circumstances, hunger level, etc. I cannot iterate this enough. Perfection is the enemy of publication and you will kill yourself and your dream if you hold yourself to its fantasy.
  4. Change Your Definition of Failure – The hard truth of embarking on any manuscript is that it may never succeed in being published. That does not make it a failure. It makes it a stepping stone to your ultimate goal. Harper Lee never would have published To Kill a Mockingbird if she hadn’t first written Go Set a Watchman and the world NEEDS To Kill a Mockingbird (GSaW maybe not as much). Writing is the only forum in which we hold our first attempt as the definition of success. You probably didn’t get the first job you applied for, but you learned how to get better at interviewing. You didn’t win the first marathon you entered, but you got better as you kept going. Michael Jordan, Peyton Manning, Simone Biles…they have all lost and they are all champions in their fields. Your current work isn’t the next great classic. So what? That doesn’t mean it’s unimportant. That doesn’t mean it isn’t purposeful. That doesn’t mean you have failed. It means you are working towards success.
  5. Write – There is this great misconception in the writing community that if you put things away, this spark of inspiration will hit you in the middle of the night or a big meeting and you will suddenly have all you need to steamroll to the end of your work. For most people, this is bull. Ninety-nine percent of the time, if you put something on the shelf, it will stay there. Will you think of it? Sure, but then you’ll berate yourself for putting it there in the first place, then the FDFM will use it as ammunition to torture you with until you’ve lost your will to write again. The exclusive way to shut that lying beast up is to write. Write until your you’ve found the story. Write until it’s turned into a new story. Write until you can proudly proclaim to that monster “you are wrong. I know I can write because I have written” and when you’ve done that, write some more.

You are not alone. People out there pounding out the words, sending queries, and signing deals…they are not different than you. They just learned to fight the self-doubt, the agonizing pain of the writing process, and you will, too. The only way you can possibly fail is by not trying, and you’re here. You’re writing. Despite all the life, worry, time constraints, etc. Despite all of it, you are writing and that is how I know that one day you will be able to say “I have written”.

Share this with anyone succumbing to the First Draft Fear Monster. Have you battled and won? What tools would you add to the belt?

Bare List on Being a Writer

Despite public opinion, being a writer is not sitting in a hip cafe swilling lattes as the words flow from your fingertips, though there is a lot of coffee involved. It’s not sleeping late and working an hour a day as the money rolls in by the bucket load with little to no effort on your part. It’s not lazy or frilly.

Being a writer is pounding away at your computer at three a.m. when the rest of the house sleeps because that’s when inspiration strikes. It’s laboring away, fueled by caffeine and desire to get in those final words before you’ve got to get the kids to karate. Being a writer is working through lunch because the hunger pangs issuing from your stomach cannot drown out the inspiration screaming in your brain. Burning the toast because you’re lost in thought on your current story arc, scrambling to get the kids tucked into bed because you don’t want to miss a minute with them, but you can’t miss this deadline. Sitting with your computer on your lap trying to tune out the television in the background because you want to be able to sit with your significant other, but you also have to get these words on the page. Being a writer is about writing and revising so many times you could recite your novel by heart. It’s about knowing that you can never revise it enough to be perfect and learning to accept that, no matter how much you hate it, because perfection is the enemy of publishing. Being a writer is finding the courage to call it complete and take the chance on someone else loving it as much as you do.

Being a writer is querying, over and over again until your fingertips bleed and being met with rejection almost every time. Sometimes that means being a writer is starting again, rearranging and reediting so many times there can’t possibly be anything else to change, but then finding more you can do anyway, and even that will be rejected by someone. Being a writer is about having the grit to get up from all those rejections, because somewhere deep inside you, you know that this is what you are meant to do and if you just keep writing, you just keep querying, one day you will get past that hurdle and it will all be worth it.

And when that day comes, when your book is finally accepted, then being a writer is about making deadlines. Signing deals, missing dinners because you’ve got a big meeting, building your social media presence so that you can talk to the community of people with whom you want to share your work, yourself. Being a writer is about wondering how you can possibly get all of this done and realizing you can’t and watching the laundry pile up in the corner because you are not Mary Sue and something’s gotta give sometimes. Being a writer is about praying til your knees bleed that the creation you’ve poured yourself into, sacrificed yourself for, will be accepted and hopefully even loved by at least a few souls who wanted, needed your work.

When all of that is done, when you’ve found your people and you’ve given everything you have to this precious work of art, being a writer is about letting it go, giving it to the world and starting all over again with the next work, because now that you’ve tasted the pain, lived through the torment and come out the other side, you have no choice but to do it again. Because being a writer is giving yourself to the agony of writing to be able to experience the joy of having written.

Being a writer is grind. Being a writer is a grueling commitment. Being a writer is work. So, when your friends roll their eyes, when society scorns you for their beliefs of what it means to be a writer, you don’t listen. In fact, you tell them to eff off, because being a writer means occasionally having to tell people that they don’t have a damn clue.

Not sure you can tell them? Let them read about it in your next book because you’re too busy grinding to talk to them anyway.

Bare List on Why NaNoWriMo

Halloween, Thanksgiving, hoodies, changing leaves, the sweet smell of autumn pies baking in the oven. These are a few of my favorite fall things, but at the top of that list is one of my favorite fall traditions: Nanowrimo, National Novel Writing Month. If you’re new to the writing world, you may not be familiar with the 501(c)3 charitable organization encouraging us all to novel out 50,000 words in 30 short days, but you should be…nay, you NEED to be. Even if you’re an experienced writer with a number of books on the shelf, NaNoWriMo is an excellent opportunity to reignite your writing process. Why is National Novel Writing Month how you need to be spending your November? I’m glad you asked because I’ve made a list:

You Can Do It, And You Deserve to Know That- If you’re new to the game, fifty-thousand words may sound like a lofty and even unrealistic goal, especially in thirty small days that include a busy Thanksgiving holiday weekend. But that’s only because it is an insanely lofty goal, but I promise you it is NOT unattainable. When the pressure is on, I think you’ll be pleasantly surprised with what you’re able to accomplish, especially with the wealth of inspiration and information provided by the organization and community. You deserve the pride in a job well done on November 30th and all you have to do to make that happen is get started. Once you’ve got that first 50 out of the way, you’ll have the confidence to take on any writing challenge.

It’s the Wrecking Ball of Writer’s Block- So, you’re an old pro at writing. You know you can write 50,000 words in 30 days. Hell, your publisher expects you to do it in 3. You’re past NaNoWriMo, right? Wrong. If you’re struggling with new material or having trouble finessing an arc with a current project, NaNoWriMo is perfect for you. Pounding through those words with the pressure of a time-constraint but freedom of WHATEVER YOU WANT is an amazing combination for spurring your creative brain into action.

Great Community of Avid Writers- Writing can be an isolating profession or hobby, but it doesn’t have to be. While you might not have many “real-world” friends that share your zeal for character development or unexpected plot twists, NaNoWriMo does. It’s a huge community of people of varying experience levels as passionate about writing as you. You can make friends, meet mentors, or encourage a new generation of writers.

Bragging Rights-  We can pretend that this is a totally philosophical endeavor for self-evolution and improvement (which it is) but come on, you WANT to tell people you did this. It’s an awesome accomplishment. But, it’s not bragging if you can back it up, right? And you can because NaNoWriMo will reward you with an exclusive Winner’s Package.

Great Experience for a Great Cause- There is an exhaustive list of reasons why this is an outstanding experience for writers. Seriously, this little barely even skims the surface, but I’d be remiss if I didn’t talk about what a great mission the organization strives to achieve. NaNoWriMo and it’s various programs promote writing fluency creative writing education, promote communities to ensure the proliferation of the written word, provides free materials for libraries and community centers.

There’s plenty of time to sign up and get your profile ready. I’ll be adding my bare list of 50k words to those of the thousands of other avid writers and I invite you to do the same. NaNo Newb? Share your questions or concerns. Nano Pro? Leave your experience in the comments.

 

 

Bare List on Why Bare List

“Bare lists of words are suggestive to the imaginative and excited mind.” -Ralph Waldo Emerson

I’ve received some questions regarding the inspiration of the title of this blog. The simple answer is that I love this quote and I thought it’d make a kick-ass title/theme. While this may be the shorthanded assertion you receive if we’re making small talk on the train, it doesn’t do justice to the reality of it’s selection. I do love this quote, not because of its eloquence and simplicity, but because it encapsulates everything about why I write. Why we all do. Why we write, why we read, why we have a never ending thirst to continue to give meaning to arbitrary words on a page.

As writers, we toil through endless iterations and reincarnations of what, in its simplest form, is nothing more than bare lists of words on a page. We read each one hoping our love/hate/passion/distress is conveyed to our readers in a way that reaches past the page and into their minds and hearts. It’s an absurd task that we give ourselves over to in the hope that even just one person will connect with these bare words. And the even more absurd thing it works.

The magic of these bare lists of words is that to those imaginative and excited minds, to our imaginative and excited minds, they evoke powerful emotions and connections. Their essence becomes personalized to each individual who sets about the task of imbibing them. What is nothing to one reader is everything to another. We can give these bare lists of words to hundreds of readers and each one will come away with a different interpretation. We can set them to music and people will fill amphitheaters to hear them. We can read them again and again and take away a different meaning each time. We can see ourselves reflected in the characters of a stranger. It’s amazing what these simple bare lists of words can accomplish. They can be our hope when we are filled with despair, they can be our friend when we are alone, they tell our story when we’ve lost the strength to tell it ourselves.

So, on my dark writing days when the words on the page won’t work for me. When no matter how hard I try those words will take on no life or meaning, I remember that to those excited minds, that bare list of words can mean anything and I’m able to keep writing.

That’s why Bare List of Words. What’s your inspiration? What inspired your blog and what inspires you to keep writing?